This sounds more like a firmware limitation. The main cost of a camera is the research/developing and not the material. I tried loading the ENTIRE folder via media browser, thru the import option, individual files, thru the camera, from the hard drive, from the original disc. Any hint whether that might be in the offing, Alister? It’s by sharing the expense of developing a chip like this across many cameras that we are able to have such high performance cameras at low prices (low compared to what previous generations cost). When you click into it, there are a series of other folders, but none of them allow you to view any of the video clips. The grab is a jpeg so may have some compression artefacts not in the original frame. Then use the color chart matching tool in DaVinci resolve to match the cameras. So picture quality… that’s a pretty important factor. But a very good one overall. I’ve been considering the FS5, and was wondering if the Z150 would be a good match for the FS5 if I ever had to use both cameras in the same project? Personally I will pay 100 or more dollars/euros to have better processor. So the camera can record UHD (3840 x 2160, the 4K standard for TV) at up to 30fps using Sony’s XAVC-L codec. 2. One is recorded, the other is available to feed only one of the VF, LCD, HDMI or HDSDI. Don’t use file import. While a one inch sensor is bigger than 2/3″ or 1/2″ it’s still significantly smaller than the Super 35mm sensors that are all the range. I suspect that Sony may be limiting the smallest aperture to f11 to prevent this and help ensure sharp pictures at all times. Use Catalyst Browse instead. Is there any solution to solve this with SDHC card ? In use, the clear image zoom function works seamlessly with the optical zoom. Do you need the Z150’s bigger zoom range or do you want the X200’s better codec options? But not everyone wants shallow depth of field all of the time. For security you can use simultaneous record where you record to both slots at the same time. The Z150 is similar in that you can only have the LCD or EVF and it auto switches between them via a sensor on the eyepiece. That’s very useful. Nonetheless, both excellent cameras. Using a one-year-old iMac and Sierra . But as well as the standard look the camera does include 6 picture profiles which can be found towards the bottom of the camera menu. I am very surprised at the lack of sensitivity. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. It is worth considering that this codec does require a pretty good computer to work with it in post production, ideally a minimum of a 4 core i7 processor with 16GB of main ram plus a good NVIDIA or AMD graphics card with 2GB of dedicated video ram. To output your pictures you have an HDSDI connector on the rear of the camera for HD plus an HDMI port that can deliver UHD. I’ve played with it a few times and I’ve felt it offers good value (approx £3k/$4K). 3. To record long events you can use relay record where once the first card is full the camera will automatically switch to the second card. Notify me of follow-up comments by email. CAMERA IS DOA....WILL NOT CHARGE AND YOU CANNOT POWER UP, Reviewed in the United States on September 22, 2019, THIS CAMERA WORKED PRETTY GOOD..GREAT IMAGES...NOW 3 WEEKS OLD...WILL NOT CHARGE NOR WILL IT POWER UP, Reviewed in the United States on May 9, 2017. Thanks, Michael. It also has a few innovative tricks up its sleeve. Just want decent 4:2:2 HD. Thanks for this explanation, there are a lot of processor limits (not only on output) with this camera. PPCC’s Media Brower is easy as pie. XAVC-L is a good codec, so the benefits will be small. One observation though is that if you leave the peaking on the default “White” setting it can make some scenes appear over exposed as white sparkles appear across areas of fine detail. As I read on user guide It says that when recording on XAVC QFHD you can use LCD or OutPut only (with output enabled LCD goes to black). It’s also an XDCAM camcorder and in this case that means it also includes the MPEG2 HD codec. Focus, Zoom, Iris, Interaxial. When set to QFHD but NOT recording the record video stream becomes free to feed another output. Finally if you just need something compact there is AVCHD, although frankly why you would want to use AVCHD when you have so many better options available I’m not sure. Sony XDCAM PXW-Z150 overview and full product specs on CNET. Read honest and unbiased product reviews from our users. Disabling it will result in some disabled or missing features. Today3D FIZ controller. In Adobe Premiere Pro, choose ‘Import’ from the dropdown menu under ‘File’ Aliasing and Moiré. Sony PXW-Z190 Review: All the control you need. Can you help me little? But unfortunately that does mean in this case some limitations. Works fine for me. One is recorded leaving 2 streams, one feeds the VF or LCD, the other HD stream can be sent to either the HDMI or HDSDI. So gain will be needed regularly. You should shoot using the MPEG HD420 (1920 x 1080) codec for the best compatibility with the DVD burning software. An F970 would give at least half a working day, so two of those is all that most people would need. Reviewed in the United States on October 9, 2017. This is the long GoP version of XAVC and comes in 60 and 100Mb/s versions in the Z150. Can’t seem to find those specs. The PXW-Z150 runs off readily available and incredibly common Sony NP-F series batteries. The ability to shoot in 4K gives the flexibility to crop int the image to re-frame shots for HD productions. Enter your email address to subscribe to this blog and receive notifications of new posts by email. If not perhaps the X200. Unfortunately none of these have any markings as they are all electronic controls with no direct connection to the mechanics of the lens. But one of the great things about the Picture Profiles is you can mix and match the various gamma curves and color matrix settings to create your own looks and styles. The 4K footage should be in the folder M4ROOT>Clip, Similar issue here, I pull the card and put it into the reader on my Mac, inside the Private folder is the AVCHD file that QuickTime usually opens (always worked on my Sony PJ-650) but with the Z150, operation fails. The camcorder features a single Exmor RS sensor with a UHD 4K (3840 x 2160) resolution, Sony G lens with 12x optical zoom range, … I have the same problem loading the mxf files into Premeire… You can choose a variety of codecs: XAVC Long GOP (4K/1080p), MPEG HD at 4:2:2 or 4:2:0, or AVCHD 2.0 at a variety of data rates. Now I’m looking for picture profiles for this different types of cameras and I know that the color grading could only be related with this different ‘inner life’ and not not the same. Reviewed in the United States on April 6, 2019. Again we have XAVC-L now at 25, 35 and 50Mb/s and up to 60fp. Because I work for nonprofit organizations, I have very a small budget. I’m not sure if you can do that in Catalyst Browse or whether you need Catalyst Prepare. Just the on/off switch and switches for the audio inputs. To remotely control the camera you need to install Content Browser Mobile on your Android or iOS device. But even if it were a firmware limitation it is normal these days to use common hardware and then sell different versions at different prices. Better light lovin’? For a simple drag and drop solution I would suggest something like Nero or Roxio. Sony today announced a 4K, solid-state memory, professional camcorder, the Sony PXW-Z150 SOPXWZ150. Always get the error message, “the importer reported a generic error”. Comparison of Canon XF405 and Sony PXW-Z150 based on specifications, reviews and ratings. Don’t expect a modern codec to work in old software. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Like most modern cameras it’s constructed from a mix of plastics and alloy. You can’t record HEVC because it doesn’t have that codec. I wants to use this camera for recording church services and thought it would be easy to transfer recording to a DVD for members who wanted them. You need Premiere CC. The zoom speed range is pretty good, using the rocker on the hand grip you can go from a very slow creeping zoom to a respectable 2.5 seconds (approx) from fully wide to 12x. The zoom ring is the weakest link as you can turn the zoom ring faster than the lens can zoom and this can result in some lag as you wait for the zoom to catch up. If you’ve recorded in AVCHD then you’ve recorded in a domestic low bitrate format. The development of dedicated image processors is very expensive. From the outside the PXW-Z150 resembles many other handycam style cameras and is almost identical to the HXR-NX100. So who pays for the R&D required to create a new image processing chain with greater capabilities? In practice this works quite well except that once you select one of these functions, lets say the gain, it remains selected and the rocker switch active unless you press a different function. The video clips are found in the XDROOT or M4ROOT folder and are MXF or .mp4 files. What does all that mean? Internet is full of nonsense on “download this converter”, nothing works. If you even go near the EVF, the LCD shuts off. In UHD the camera uses a database of textures to determine the best way to process the image. The raw signal is the same – yes it goes through a processor for HDMI and SDI (and that stuff is already in the camera) so the wiring is different but it’s still a video signal and the overlay is still an overlay- both can be sent externally or internally so there’s no special voodoo going on there). Is there any advantages to outputting to an external recorder via HDMI or other connection? This is assisted by a good viewfinder peaking and a focus magnification system that helps you determine the sharpest parts of the image with ease. Just don’t turn up the Saturation too high, I would not recommend going above +20. This allows for a virtually transparent extra 1.5x electronic zoom on top of the optical one. One more trick that the PXW-Z150 has is the ability to shoot continuously at up to 120fps (100fps when the camera is set to 50i area). I just purchased a Sony PXW-Z150 camcorder after reading many reviews. OK, so double up on the electronics and processing, increase the power consumption, make it a bit bigger and increase the cost of the camera by 50%. Noise reduction processes are getting better, but there is no free lunch when it comes to NR and it introduces other artefacts such as image smear and softening. When light travels though a very small aperture it can become slightly defocussed. We are having trouble saving and importing the 4K footage from this camera using Adobe Premiere Pro CC. I shoot mostly in 4K and usually at 24 fps. Overview. Is this the same with the 150? I have had a 1 day test (at HD not 4K) and it is clearly more prosumer (but a great price) yet the image quality looks much better. The Sony PXW-Z150 4K camcorder. Also, most of my video is shot outdoors, where there is little if any control over lighting and other environmental concerns. The smallish sensor with it’s tightly packed and very small pixels does impose some limitations on just how good it can be, especially in dynamic range and sensitivity but it does produce a nice picture for what it is. I agree the limitation is immensely frustrating for those that want to monitor or record externally, I’m sure that will come in a future more expensive camcorder. Can you assist me with what I need to get recording to a DVD. The PXW-Z150 4K XDCAM Camcorder from Sony brings high-quality performance, adaptability, and ease of use to a compact, handheld body that is the same size as the HXR-NX100. Do you honestly believe that Sony would deliberately cripple a camera in this way through a firmware limitation. The “Pro” color matrix offers some very accurate colors and I quite like the look that you get when you combine Cinematone 2 gamma with the Pro color matrix. As well as XAVC-L you also have two more 8 bit HD codecs, MPEG2HD and AVCHD. Instead operator can’t control the camera. I really love this camera. The rocker is used to scroll though the selections available for each of these. It took a while to locate the playback buttons, but other than that its a sweet little camera. The iris ring works well with almost no lag. When I first picked the camera up it felt good. I was really searching in different forums and did not find someone. As it’s starting to gain some traction amongst corporate producers and those looking for a straight forward 4K camera with lot’s of bang for the buck I though it’s time to share my thoughts. It’s free. XAVC works in Premiere CC, Avid and FCP-X, you have lots of choices. So as you zoom in or out the electronic zoom takes over where the optical one finishes. The proxy file can be used in a number of ways. There are two versions of MPEG2HD, the regular HD version which is 4:2:0 at 35Mb/s as found in the older EX1 and EX3 camcorders as well as the 50Mb/s HD422 4:2:2 broadcast quality version as found in the PMW-200 and most of Sony broadcast camcorders. A 1″ sensor is not a lot bigger than a 2/3″ one. Unfortunately quicktime will not play these directly. The red flower in the frame grab was not that red. Chromatic aberration is very low, probably being hidden by in camera processing. HDSDI is HD and HDMI can be 4K which requires twice as much processing power. The camcorder features a single Exmor RS sensor with a UHD 4K (3840 x 2160) resolution, Sony G lens with 12x … Raw Isn’t Magic. For XAVC you need SDXC U3 cards which are not expensive. I estimate about 10 stops of dynamic range so it’s not in the same league as the super 35mm cameras, but respectable none the less. Do you have SDXC U3 cards? I suspect this may be to prevent something called diffraction limiting. Amazing how often I get snapped at for suggesting that to people. The PXW-Z150 4K XDCAM Camcorder from Sony brings high-quality performance, adaptability, and ease of use to a compact, handheld body that is the same size as the HXR-NX100.Suitable for corporate video, house of worship, and legal deposition recording. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Picture Profile 4 is Rec709 (ITU709) gamma and color. We had the same issues when going from SD to HD, the old Sony SD PDW-150 was a much better low light camera than the HD cameras that replaced it. After shooting so much recently with Super 35mm cameras I really had forgotten just how much quicker it can be to shoot with a good par-focal zoom with a high zoom ratio (par focal – focus remains constant through the zoom range). Sony is not a stranger to the professional camcorder market and this fact really shows with the design of the PXW-Z100. Autofocus works surprisingly well even in low light. I’m not sure the argument over cost makes any sense. The image below is a UHD frame grab from the Z150. But this one has found a great combination of features at its price point. Use the built in Media Browser. Take the memory card out of the camera and put it into a card reader. So in HD you have an additional 2x zoom on top of the optical zoom giving a combined total of 24x. Single small sensor cameras have come a long way in recent years and the Z150 is no exception. Sony have today launched their latest XDCAM professional camcorder. The PXW-Z150 is designed to work seamlessly with Sony’s MCX-500 Multi Camera Live Producer, a robust and cost-effective switcher that makes it easy for one person to run a … Hi When you have very small pixels (like when you cram 4K’s worth of pixels onto a smallish sensor) this slight defocussing has a big impact and can lead to soft and blurry looking pictures. mxf is a file container. Like most modern cameras the PXW-Z150 has a full set of WiFi features including the ability to transfer files wirelessly via ftp to a remote server, to stream live or control the camera from a tablet or mobile phone. This is no different to a skilled camera operator choosing to charge less for a simple shoot and then charging more for a complex or difficult shoot where he will use more of his/her skills. TV Logic VFM-058W compact 1920 x 1080 video monitor. Cameras like the Z150 are often overlooked these days as they don’t have the “cool” factor that comes with the large sensor Super 35mm cameras that are all the rage, cameras like the PXW-FS5 or FS7. There's a problem loading this menu right now. I’m wondering whether it sends out a 10 bit 4:2:2 QFHD signal to an external recorder? Also HD 4:2:2 10 bit compliant. Coming from a DSLR I love having a grab and go solution for video. There is of course also a headphone socket on the rear panel of the camera just above the DC in socket. In addition the inevitable faster shutter speeds mean that you do need plenty of light to get the very best results. which one is best plz any suggestion me..? One of the huge annoyances of the 70 is that I like flick back and forward from using the LCD to the EVF. One way is to provide an easier to handle 720p HD file for use as an edit proxy when shooting in UHD. I have my first official shoot using this camera on this coming Friday, and it looks like if I don’t figure this out quickly, I will have to downgrade the camera to stay on schedule for principal photography!!! The two card slots can be configured in a number of ways. The signal for the EVF’s is 960 x 540 progressive. ProRes would give a very small improvement in picture quality as it’s less compressed, but the files will be much, much bigger. If using auto exposure, including a -0.5 to -1 EV offset to the auto exposure (in the camera menu) has the same effect. Awesome camera! The Z150 has a lot of pixels squeezed onto quite a small space, so don’t expect amazing low light performance, it’s not that kind of camera. On top of that, it's fairly safe to say that Sony PXW-Z150 is a more popular camera, based on its 20+ reviews. So manual focussing is nice and easy. The Z150 has 14 megapixels compared to the 2 megapixels of the PMW-200, so the Z150’s pixels are going to be around a quarter of the size of the PMW-200. Hi Alistair, thank you for the Z150 review. Fortunately Sony have considered this and the camera features two card slots. In order to be able to record all the different formats available you must use SDXC cards. Check out SONY PXW-Z150 4K XDCAM, XAVC, WI-FI, Live Streaming, Camcorder reviews, ratings, features, specifications and browse more Sony products online at best prices on Amazon.in. You need to process it very differently. Are you sure there isn’t a fix? A7, A7S, A7R and other ALPHA series cameras. So Sony PXW-Z150, while being a pricier option, tends to get more favorable ⭐ reviews than the $2798 Sony PXW-Z90V, as seen on the chart below. The stacking technology allows for a faster sensor readout among other things and this significantly reduces image skew and rolling shutter artefacts compared to the previous generation of these sensors. Depends on exactly what you need. The Sony PXW-Z150 4K Handheld XDCAM professional camcorder delivers stunning 4K image quality, Instant HDR workflow, 120fps HFR Full-HD slow-motion and built-in advanced networking for live streaming and wireless workflow. As a further option you can control the recording function of each card slot separately. This means you are creating an instant backup, so the failure of a single card should not be a drama. All without success…. This can help a little if you wish to tweak or adjust the images in post production. On top of that, it's fairly safe to say that Sony PXW-Z150 is a more popular camera, based on its 20+ reviews. Any advice or guidance would be greatly appreciated. If you need 4K and/or HDR then the Z150 is going to be better. I really don’t want to have to convert these files to load them in Premeire. Personally I did not like the colors associated with the Cinematone color settings. You can’t see them up there! Miller Solo Tripod and Compass 15 head review. DSM-U84 Battery for PMW-200, EX1, F3 etc. It uses the standard XAVC codec rather than XAVC-S used by the AX1. And no need for 4K. These older MPEG2 “XDCAM” codecs are still incredibly popular and accepted almost everywhere for broadcast HD. The picture quality is pretty good for a budget camera. Read honest and unbiased product reviews from our users. It can record only AVHD! Cheap, but not nasty tripod. Both with issues. Don’t be afraid to go into the Picture Profile settings and experiment with different combinations of Gamma curve and Color matrix. The output limitations are hardware limits.